Breathtaking dressage horses strutting their things at the far end of the catwalk. Models in jodhpurs and bustiers in caramelcolored leather-based, with fringed suede ponchos thrown jauntily over their shoulders, tramped the catwalk produced, like the riding arena, out of wood chips in equestrian boots. Flattopped fotbollsskor billigt felt Seville riding school hats topped off all the looks, and using crops competed with the brand's bestselling Kelly baggage served up for summer time in leather and wicker to billiga fotbollsskor se be the season's leading accent. There were touches of the kinky edge that designer Gaultier who shot to global fame with Madonna's pointycone bra has introduced to the very traditional and bourgeois label over the years, like the belts that wound about the models' torsos and fastened around their necks like, well, horse haesses. Or any other haesses you might believe of. Ahem. Despite the magnificent display, there was a whiff of unhappiness in the air over Gaultier's departure from Hermes. "Jean Paul has brought so much to the home of fotbollsskor online Hermes, a light contact, new designs even a little bit of transgression," the label's CEO, Patrick Thomas, informed The Associated Push in a postshow job interview. "He will be very much missed." Gaultier known as his function with Hermes a "love tale." But, he informed a frantic scrum of reporters following the show, "like all love stories, it has an finish." At initial, it seemed like just an additional Chinesethemed collection. But the set stuffed lions on gleaming fake marble pedestals set the tone for something a lot much more fascinating, a crosscultural hybrid that combined highgloss Shanghai with the large game of the Serengeti plain. Cheongsam dresses had been served up in sequin zebra stripes and giraffes emblazoned Maocollared pajama suits. Pencil skirts in jewel tone satin were paired with kopa fotbollsskor sweaters with sequined lions and broad, lowslung sequin belts that glimmered darkly like Chinese lacquer. Spaghettistrapped robes were hung with tassels or completely covered in purple and fuchsia beaded fringe. With Wednesday's assortment, the label's celeb designer, Marc Jacobs, managed to inject the collection's darkly seductive glamour with a dose of humor and selfaware kitschiness: You could nearly imagine the models as highclass gangster molls from a 1970sera Chinese mob billiga fotbollsskor film with a tacky plot but luxurious costumes. It was Jacobs' strongest collection for the French luxurious supeova in a number of seasons a lot better than fallwinter 20102011's ladylike 1950s appears in thick tweed that made the curvy supermodels look like frumps. That said, it would have been nice to see Jacobs adhere with final season's bodacious models, with their generous womanly types, instead of the typical cast of teenage waifs that took back Vuitton's catwalk on Wednesday. Ever ambiguous, the Miu Miu woman inhabits the grey area between absolutes. At initial glance, the label's springsummer 2011 woman appeared to be a demure bourgeois housewife in chemisier attire with high necklines and skirts that hit beneath the knees.
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